International Screenwriters’ Association launches inaugural Student Fellowship to nurture emerging talent
The International Screenwriters’ Association (ISA) has recently launched its inaugural ISA Student Fellowship, an initiative aimed at unlocking the creative potential of emerging screenwriters. This fellowship represents a significant step forward in the ISA's continuing mission to discover, educate, and empower the next generation of talent within the screenwriting community.
Emerging talent is often stymied by a lack of resources and industry knowledge, a gap that the ISA aims to bridge with this fellowship. The organisation, established in 2008, has been a steadfast resource for screenwriters looking to either kickstart or rejuvenate their careers. The newly appointed Student Fellows, Hallie Stephenson, Julianna Hoyle, and Kenya Robinson, were selected for their distinctive narrative voices and originality, with their projects including “Abel's Baby,” “Frankenstein,” and “My Sister's Keeper.” Each fellow will also benefit from a career planning session with an ISA development executive, gaining invaluable insight into navigating the competitive landscape of screenwriting.
Felicity Wren, ISA’s Vice President of Development, remarked, “This fellowship is about more than just celebrating talent—it’s about providing direction, mentorship, and real tools to help early-stage writers grow.” The fellowship not only highlights promising talent but also equips these writers with the professional skills necessary for success. Access to free industry classes, professional feedback services, and curated ISA resources further enhance their developmental journey.
The ISA has a robust track record of aiding screenwriters, evidenced by over 5,000 success stories. Many past participants of its various programs, including the Fast Track Fellowship, have signed with leading agencies, secured management agreements, and even landed production deals. The ISA Development Slate showcases over 180 standout writers, providing them additional advocacy and access to a network of top-tier industry professionals.
The Student Fellowship will accept entries from students aged 18 and over across various formats, including features, pilots, web series, and shorts. Each fellow will receive a $1,000 credit to use on ISA services, indicating the program’s commitment to tangible support. The opportunity to be featured in Creative Screenwriting Magazine and the chance for their projects to be presented to industry partners further amplifies the fellowship's appeal.
While the ISA's initiatives have largely garnered positive feedback, some reviews have highlighted customer service concerns and issues with billing practices. However, many have praised the organisation for its constructive feedback and guidance on projects, demonstrating a diverse range of user experiences.
Beyond the fellowship, the ISA continues to engage emerging writers through events such as the ISA Pitch Panel, where participants pitch their projects to industry professionals and receive real-time feedback. This aspect of networking is key for emerging writers as they seek mentorship and validation within the industry.
In a landscape where opportunities can be scarce, the ISA Student Fellowship represents a beacon of hope for aspiring screenwriters. By prioritising mentorship, accessibility, and skill development, the ISA is poised to foster a new generation of storytellers who will contribute richly to the cinematic landscape.